A cool new feature is the wireframe mode, which does exactly what you’d expect. Ambient occlusion now uses 32-bit rendering and you can even go up to 32x MSAA if your hardware can handle it. We’ve improved the overall visual fidelity of 3D objects. Note how mocha’s planar tracking copes easily even as the actress moves her hair. While a simple shape, it’s nevertheless something which would have taken a considerable amount of time to manually animate. This short video shows an auto-tracked mask in action. This one feature alone saves you hours upon hours of work. You can now export a tracked shape back into HitFilm 3 Pro to use as an animated mask. Every purchase of HitFilm 3 Pro includes mocha HitFilm 4. HitFilm 3 Pro has a new version of atomic particles which can be applied directly to 3D objects, creating an array of particles arranged according to the model’s 3D geometry. Proper 3D particle textures revolutionizes the entire system. You could create much greater variety through the use of multiple particle systems and 3D object combinations.įleets of ships, sprawling cityscapes, flocks of birds, asteroid fields, a hail of arrows, a squadron of fighter jets. The city image above was built from a single city block.
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Take a simulator capable of generating hundreds of thousands particles, then combine it with live 3D model rendering. Note the low level ground fog hugging the buildings. Sony Vegas Pro 12: FX Masking Tutorial Vegas Pro.
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Sony Vegas Pro 13.0 Suite Upgrade from Vegas Pro 13 Suite (Get extras and HitFilm 3) за 13 126.00 руб. Below is a 3D particle cityscape built procedurally using Videocopilot’s Metropolitan pack. Beginner or expert, there’s features here that you’ll like. In case you were wondering – yes, HitFilm 3 Pro is the direct successor to HitFilm 2 Ultimate. There’s also that new name, which better reflects the direction of the product and also has the benefit of being shorter, which is good for everybody’s typing fingers. It feels both fresh and familiar – and faster, thanks to intelligent caching. The interface has a new, low profile design which disappears into the background, bringing the focus back to your shots. There’s even a new 16-bit in-to-out OpenEXR pipeline. Mocha HitFilm’s capabilities have been expanded to include mask tracking. We’ve added over 20 new effects and OpenFX compatibility.
The editor-compositor workflow works better than ever thanks to new background proxying. If you’re looking for new particle simulator features, they’re here. It’s the fastest way to iterate and innovate. HitFilm’s unique design combines an NLE and compositor in a single interface so that switching between timelines is as easy as changing tabs in your web browser.
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It merges a non-linear editor with advanced 3D compositing and over 180 effects, plus mocha tracking from Imagineer and 130 plugins for your other video software. HitFilm 3 Pro gives you everything you need to be an editor, VFX artist and colorist. As the page grew longer and longer, detailing feature after feature, vastly overtaking the equivalent HitFilm 2 webpage, I thought: yeah, this is a good one. A month or two back I was writing the ‘What’s New?’ page for the upcoming HitFilm 3 Pro website.
Written by Simon Jones on 27th October 2014.